chandni’s posterous

 
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Cell Phone Cinema Film Festival


Asian Academy of Film & TV

Presents

Cell Phone Cinema
(2nd International Cell Phone Cinema Film Festival)
Shoot a Video or click a Picture
on your mobile phone
*WIN**
*$ 2000 US

Show case your Talent to
Indian Film Industry

Hosted By *Asian Academy of Film & Television <http://www.aaft. com/>*, India

*Log on to www.batchbuzz.com to submit your entry*

Entry Free
*(Last Date : 12th Jan2008)*

*: JURY MEMBERS :*

*Prof. Karl Bardosh , Master Prof Tisch School of the Arts , New York
University.*

*Boney Kapoor - Film Producer, Bollywood.*

*FOR SUPPORT PLEASE EMAIL US AT INTERNATIONAL@ AAFT.COM OR CALL ON
+91-9311815789*

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Sahmat Events in Jan in Delhi

SAHMAT

8, Vithalbhai Patel House, Rafi Marg

New Delhi-110001

Telephone-23711276/ 23351424

e-mail - sahmat@vsnl.com

www.sahmat.org


IN DEFENCE OF OUR SECULAR TRADITION



*20 Years of SAHMAT, 1989-2009*



The end of the year 2008 marks the completion of 20 years of activities of
the Safdar Hashmi Memorial Trust (SAHMAT). Formed in January 1989, a few
weeks after the brutal murder of Safdar Hashmi, SAHMAT became a platform for
artists, cultural activists and intellectuals to intervene in crucial
political and cultural debates, through activities aimed at defending
cultural spaces, opposing divisiveness in all forms and strengthening the
bonds of artistic untiy. Upholding the values of a plural and secular
culture, some of SAHMAT's interventions, like those after the Babri Masjid
demolition in Ayodhya in 1992, became important markers of resistance to the
communal politics seeking to overwhelm our country.

Over these two decades, SAHMAT has staged performances, mounted art
exhibitions, published books and posters in the thousands, organized
seminars and conferences, and held innumerable other protest actions, in
which hundreds have participated.

*Programme*

*1 January*

SAHMAT has observed 1st January every year in New Delhi as a thematic
memorial to Safdar Hashmi. The programme on 1 January 2009 (1.30 pm onwards,
at Constitution Club lawns, Rafi Marg) will include: Kabir Bani by Prahlad
Singh Tipania and Group from the Malwa region of Madhya Pradesh; the
Manganiar repertoire of Rajasthani folk and Sufi music by Anwar Khan and
Ghazi Khan Barana and Group; music performances by Rabbi Shergill, Sunanda
Sharma, Jasbir Jassi, Vidya Shah, Madangopal Singh; contemporary dance by
Astad Deboo; a puppet play by Dadi Pudumjee; and a performance by Maya Rao.

The programme will also pay tribute to painter Manjit Bawa and journalist
Sabina Sehgal Saikia, the two friends of SAHMAT who contributed immensely to
its growth and whom we have lost in the recent past.

*Publications:*

*20 Years of Sahmat*: a document of SAHMAT activities and of the more than
100 statements issued by SAHMAT over the last 20 years

*Soorat Badalni Chahiye*: a collection of popular songs

*Bahas Ananta*: a chronicle of the debates and discussions that have been
conducted around SAHMAT activities

2009 SAHMAT calendar: commemorating the street theatre activities of SAHMAT
and National Street Theatre Day is being brought out.

SAHMAT journal: presenting a brief visual history of SAHMAT's activities


*8 January*

Lecture by Prof. Akeel Bilgrami (Columbia University) on the possibilities
of a radical alternative to standard liberal orthodoxies about democracy (5
pm, Deputy Speaker's Hall, Constitution Club, Rafi Marg)

*15 January*

Opening of *Image Music Text*, an exhibition mapping the trajectory of the
20-year cultural journey of SAHMAT (6 pm, at the M.F. Husain Gallery, Jamia
Millia Islamia University). The exhibition will showcase SAHMAT projects
over the last 20 years like *Artists Alert, Janotsav, Images and Words, Hum
Sab Ayodhya, Postcards for Gandhi, Art on the Move, Ways of Resisting, The
Making of India, Making History our Own*, in the contexts of the times they
were conceived. Stage backdrops, videos, street banners, posters, mobile
exhibitions and the books published by SAHMAT will be a part of the display.
There will also be a series of lectures, performances and street plays
during the month-long run of the exhibition. The exhibition will be on view
till 14 February 2009.

*17 January*

Screening of SAHMAT films (4-6 pm, M.F. Husain Gallery, Jamia Millia Islamia
University)

Sufi-Bhakti music by Vidya Shah (6.30 pm, Ansari Auditorium, Jamia Millia
Islamia University)

*20 January*

Lecture by Prof. Arindam Dutta (MIT) on SAHMAT's activities immediately
following the demolition of the Babri Masjid on 6 December 1992 (4 pm,
Edward Said Hall, Administrative Building, Jamia Millia Islamia University)

*31 January*

Sufi-Bhakti music by Madangopal Singh and Rekha Raj (4.30 pm, M.F. Husain
Gallery, Jamia Millia Islamia University)

*Join Us !*

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Lecture: Theorising Caste Violence, Jan 12, Delhi



---------- Forwarded message ----------
From: Navayana Publishing <navayana@gmail.com>
Subject: Navayana-Sarai Lecture # 3: Anupama Rao, 12 January 09



NAVAYANA
invites you to Navayana-Sarai lecture # 3

Anupama Rao

will speak on

Theorizing Caste Violence in Postcolonial India
Thoughts from Maharashtra

3:30 pm, 12 January 2009
Seminar Room, CSDS

This talk takes up the relationship between symbolic politics and
political violence as they have influenced changing repertoires of caste
violence and Dalit politics in Maharashtra, from the namantar struggle
of the 1970s, to the present.

Anupama Rao is trained as an anthropologist and historian, and teaches at
Barnard College, Columbia University. She is the author of The Caste
Question: Dalits and Politics in Modern India (University of California
Press, forthcoming); contributing editor of Discipline and the Other
Body: Correction, Corporeality and Colonialism (Duke University Press,
2006), as well as Gender and Caste (Kali for Women, 2003), and the
author of numerous publications, including "Death of a Kotwal: Injury and
the Politics of Recognition," Subaltern Studies XII.

www.navayana.org

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Talk on 'Same-Sex Love in India', Jan 5, Delhi

From contact@nigah.org


Nigah presents>>

* *

*Same-Sex Love in India: A Literary History*

(new revised edition, Penguin India 2008)

A Panel Discussion with Ruth Vanita and Saleem Kidwai

Monday, January 5, 6.30 p.m.

Oxford Bookstore, Statesman House, Barakhamba Road, Connaught Place, New
Delhi

Do come, bring friends and spread the word!

Nigah

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Talk - 'Terrorism and the Loss of Politics', Jan 2, Delhi


---------- Forwarded message ----------
From: Rajesh Ramakrishnan <rajeshr@csds.in>
Date: 2008/12/23
Subject: `Terrorism and the Loss of Politics: Mumbai and After': Talk by Faisal Devji, CSDS, Jan 2, 1530


*Friday, 2nd January, 2009*


*Programme in Social and Political Theory, CSDS*


*Theorising the Contemporary – Seminar Series*





*Terrorism and the Loss of Politics: Mumbai and After*

* *

By *Faisal Devji*





at *3:30 PM* in the *Seminar Room, CSDS, 29 Rajpur Road, Delhi – 110 054*



Faisal Devji is Assistant Professor of History at the New School University.
He has held faculty positions at Yale University and the University of
Chicago, from where he also received his PhD in Intellectual History. Devji
was Junior Fellow at the Society of Fellows, Harvard University, and Head of
Graduate Studies at the Institute of Ismaili Studies in London, from where
he directed post-graduate courses in the Near East and Central Asia. Faisal
Devji is interested in the political thought of modern Islam as well as in
the transformation of liberal categories and democratic practice in South
Asia. His broader concerns are with ethics and violence in a globalised
world. His publications include *Landscapes of the Jihad: Militancy,
Morality, Modernity* (Cornell University Press, 2005) and *The Terrorist in
Search of Humanity: Militant Islam and Global Politics* (Columbia University
Press, 2008).

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Screening of 'Four Women and a Room' in Delhi, Dec 21

---------- Forwarded message ----------

From: ambarien al qadar
Subject: Four Women and a Room: Screening

Dear all,

If you are in Delhi, please do come for the screening of my film 'Four
Women and a Room' in The Indian Panorama section at The Delhi
International Arts Festival , Delhi.

The film is scheduled on 21st December ,6 pm, Siri Fort Auditorium 3.


About the film:
Late into pregnancy, Mili is confounded with a range of unknown
emotions. Having gone through endless rituals of matchmaking, Latika
is wondering about her desire to be a biological mother. The
dreamscape of the filmmaker throws up images and associations of a
hospital visited sometime back and reminds her of meeting Kalpana, a
fictitious character who might have undergone a sex selective
abortion. Combining techniques of documentary and fiction, Four Women
and a Room unfolds through the metaphor of the labour room and the
conscious and subconscious resonances it has in the lives of its four
protagonists. Set against the complex social history of how abortions
came to be legalized in India as population control imperatives rather
than a pro-choice legislation , the film raises crucial questions
about debates around sex selective abortions, marriage and motherhood
within South Asian contexts while making a strong case for the agency
of women.

Thanks
Ambarien Al Qadar

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Pangsau Pass Winter Festival in Jan in Nampong


---------- Forwarded message ----------
From: rita


Hi everyone,

For those of you planning to travel to NE India this winter -- this sounds like a wonderful festival to check out.  And perhaps also a chance to see more of a people and culture of India that most people (even in India) don't know much about.   Do forward this to your friends too.

Arif Siddiqui a photographer who lives in the NE (and who is also a member of the 50 Million Missing Campaign ) has perhaps the most extensive and exquisite gallery of photos of women and their cultures from NE India.  Here's his link
http://www.flickr.com/photos/siddiqui/collections/72157600049091569/.


His email is below.  Feel free to contact him if you have questions.
Rita




From: Arif Siddiqui <arunachal.arif@gmail.com>
Subject: Pangsau Pass winter festival 2009

For your kind information please.

(download)

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Eco Art Show, Delhi, Dec 12-21




---------- Forwarded message ----------
From: Ravi Agarwal

Dear all,
From 12th to 21st December, Delhi will host its first public eco art show .
Called 48 deg C (www.48c.org) it will have 25 public art installations along
sites close to the metro line. As part of it I am putting up an installation
at Mandi House, outside the National Museum of Natural History. My theme
deals with the extinctions of vultures from Delhi and its near extinction
from the subcontinent. The Museum has the last of these - stuffed.

Alongside there is an event - The Vulture Readings at the MMB on December
18th at 3:30 pm, where some invited people will read on their idea of
extinctions and how we can think about this word. I invite all those who
can, to please come and participate.

Below is an essay which forms part of my installation:

I hope we can think of 'extinction' as a reflection of the times we are
living in.

Best wishes
ravi agarwal

===========================================

*In the Shadow of the Vulture*

* *

*The Docile Dead Keeper*

It is true, we all seem to be going somewhere. Very fast, and quick. The
question is where? All around us, there are extinctions, as things get
blurred and we cannot see what we step on, all sacrificed for the sake of
the journey. But where does the journey lead to –  what would we have learnt
during it, that will form our future. It may be said that the barrenness
will be fertilized with new dreams, new hopes and new possibilities. Yet, is
that true? Do we really believe in this idea, or is the speed of the present
so exhilarating that we cannot make sense of the landscape any more, since
it is so very fuzzy? Maybe we are scared to see that it may be barren, very,
very barren.



For one species, which came upon this planet, probably over a 100 million
years ago, there is no journey left. Almost. The vulture is increasingly no
more. Wiped out, from the staggering tens of millions in number in the sub
continent, even a couple of decades ago, to less than tens of thousands.
Over 95% of them have died, in the largest mass extinctions ever known in
the recorded history of mankind. All killed, amazingly by one innocuous
pill!



Maybe, it is a sign of times. Maybe, the wise vultures have departed on
their own. Decided to withdraw from the cycle of evolution. After aeons of
changing, adapting, evolving, co-existing, it may have become just too much
to cope with. The world is no longer possible to survive in, and hence there
is no future in it. What the biggest earthquakes, volcanoes, meteorites
could not do, has happened in the time when we, as the human race, claim as
a time of 'civilization.'



A sign of animals and birds sensing a tsunami much before we can?



The vulture is carrion. It is seemingly dirty, large and scary. It feeds on
dead flesh. Why on earth should we bother for it? What we fail to recognize,
in the age of abattoirs and incinerators, is that the vulture is also on top
of the food chain, doing nature's job of ensuring that all dead are disposed
of safely. It is also an unusually  caring bird, nesting and bringing up its
young with great devotion and tenderness, besides the fact that it only
feeds on dead animals, but normally does not hunt.



It is the docile dead keeper of the planet. Only doing its job, and helping
nature complete its ongoing cycle.



*The Pill*

Surprisingly, in the end, all it took was a simple pill. That pill proved
more powerful than all the vagaries of nature such a species must have faced
over millions of years. This pill was meant to reduce pain in ones muscles,
especially in livestock, so that they can produce more milk, more often.
Livestock as industry. A simple drug, which helps animals like cows and
buffaloes, become better machines to produce more milk – not to feed their
young but to feed the dairies, which feed us. For unknowingly the cows and
the buffaloes became the bait, the poisoned bait, which took the vultures
out. But coming back to the cows and buffaloes which meant no harm to the
vultures except they offered themselves as food once they were dead. No big
armies here. Just a pill, diclofenac, like aspirin, which we fed to the
vultures through the carcasses of the cows and other slaves, and silently
destroyed the kidneys of the vultures. First their neck would droop, then
they would salivate, and then finally fall from the tree – dead. Perfect.
Like nerve gas. Chemical warfare.



But no one is really asking why was such a pill necessary in the first
place?



For over a century now human beings have been making and synthesizing
chemicals for the benefit of human - kind. Over a hundred thousand such
chemicals have been put out already. But no one knows what other harm they
do to our lives and life forms which have inhabited this planet for millions
of years. These are all considered safe till proven otherwise. While
diclofenac did reduce body pain, it also made extinct a life form which had
evolved over maybe a billion years – who knows from the beginning of time
itself. Such is our intelligence and sensitivity and belief in our
industrial systems. Such is the nature of the industrial systems we have
created, and the methods of science we encounter.



It was in 1962 that Rachael Carson wrote the book 'Silent Spring." The
observant scientist, reviewed thousands of papers, and predicted that
chemicals like DDT are destroying the ecology of our planet. DDT and similar
chemicals, she stated is causing the extinction of eagles, or leading to the
genetic distortion of fish and other marine animals, which are continuously
exposes to them, even in very minute quantities. Similar impacts have also
been detected in human beings now. Through bringing home the increasing
impacts of chemicals in our lives and the unintended and /or the unstudied
impacts they have on our lives, she drew attention to the need of
'precaution.'



However the market based economic systems do not have any place for such
approaches. If it is good for the market, it must be good. The chemical and
pharmaceutical industry has fought regulation, information transparency and
independent research for over a centaury. Their financial and political
clout makes us believe that everything that is introduced on the market is
benign. The onus of the burden of proof is on us. Hence the drugs are safe,
unless proven otherwise. "Prove it!" is the motto. It is not by accident
that it took over a decade to ban 'diclofenac." This ban is also only for
'veterinary' use, and not for human use. It is not uncommon to find the drug
being diverted from human to veterinary use.



The story of the near extinction of the vulture is also the story of the
fiscal and political power of  our economic and industrial processes It is
indeed a reduced life we inhabit, and the loss of the vulture is evidence of
that.

* *

*The Lengthening Shadow*

The vulture did well, over time. It did well enough for the Egyptians to
equate it with mother (*Mut*), or Cleopatra to wear them on her thrones and
crowns. It also did well to be the great *Garurda*, king of birds which was
faithful to the mighty Rama, or the winged warrior of the American Indians.
It did well with everyone who saw life in its entirety and respected all
they did not know and did not fully understand.



It was killed in a time when 'knowledge has substituted the 'knowing' of
things.



Simultaneously it is harder to see sparrows, or rose ringed parakeets flying
home every evening around our homes. Tales of tigers dying, elephants being
killed, rhinos being poached, saras cranes disappearing are descending all
around us. Maybe this is the age of man-made extinctions! Or maybe man has
always led to extinctions – like the cheetah, the bison, the great American
eagle, or now even the disappearing honey bees!



How does a species which has survived for millions of years, just die out in
a matter of a years? In the past too, there have been mass catastrophic
extinctions- the disappearance of the dinosaurs 65 million years ago, or the
extinction of the dodo. The dinosaur died seemingly as a result of a massive
meteor collision with Planet Earth, which blanked out the atmosphere with
dust, blocked the sun, and essentially snuffed the pre-historic and some
massive creatures out. The dodo was hunted to extinction, unable to fly away
from the arms bearing humans.



Our ecologies are changing. In the way we relate to the city, or the manner
in which our network of relationships functions. The extinction of natural
systems, of a biodiversity of ideas and connections, the discourse is
reduced. Development seem to need an unnatural unipolarity and focus, but
what lies its counter charge? In fact what is 'development' and how do we
understand that term which seems to drive all our energies today?



In the shadow of the vulture we live. When wisdom passes, maybe the wise
pass on too.



The Vulture is dead. Long may we live.


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Adishakti Retrospective, Dec 19-21, B'lore

Posted by: India Foundation for the Arts contactus@indiaifa.org



Himalaya Herbal Healthcare

Presents

Adishakti Retrospective

Event Managed by

India Foundation for the Arts

Himalaya Herbal Healthcare was founded in 1930 with a vision to bring Ayurveda to society in a contemporary form. Himalaya's initiative 'Himalaya for Contemporarization of Indian Heritage' aims at popularising traditional Indian art forms by making it accessible to the masses. This modernization could take the form of applying new techniques, placing traditional themes within contemporary settings, relating the traditional to present-day society and so on. The focus is to make traditional Indian art and culture mainstream, without trivialising its core essence. Their aim is to generate interest in these art forms by encouraging its contemporarization.

Adishakti is a performance company engaged in the research and reanimation of traditional knowledges in theatre, dance, music, movement, puppet and craft forms -- with a view to creating a contemporary hybrid aesthetic and performance language. The Adishakti Festival brings The Hare and the Tortoise, Impressions of Bhima and Rhinoceros to Bengaluru. While Adishakti's performances continue to draw on Indian culture and tradition, they have succeeded in creating a contemporary, hybrid and aesthetic performance language. They have also adopted a research-based approach to transforming art. This is synchronous with the spirit of Himalaya's initiative.

The India Foundation for the Arts (IFA) has supported Adishakti's work since 1996 with the most recent grant being the production of 'The Hare and the Tortoise'. This grant was made under IFA's New Performance Programme, 2005-06.

Festival details:

The Hare and the Tortoise

19th December, 2008 at 7.30 pm, Ranga Shankara, Bengaluru

The Hare and the Tortoise develops its case for the importance of being contemporary through two devices. First, it explores the complex ways in which we occupy time by staging a dramatic colloquium between participants in notable inter-civilisationa l race-fables. The Hare and the Tortoise are the archetypal competitors who represent different ways of understanding temporality. Their race becomes the cover story for a theme, which includes other competing pairs such as Ganapati and Kartik, Ekalavya and Arjuna, Arjuna and Hamlet. Second, to help these fabulistic discussants the better to focus their arguments the play invites them all to comment upon the crisis experienced by William Shakespeare' s Hamlet; that dramatic protagonist for whom time was always so painfully out of joint.

Impressions of Bhima

20th December 2008 at 7.30 pm, Ranga Shankara, Bengaluru

Impressions of Bhima plays with Bhima of the Mahabharata and his relationship with Duryodhana. It draws on various interpretations of the epic, including subaltern texts.

Rhinoceros

21st December 2008 at 3.30 pm & 7.30 pm (2 shows), Ranga Shankara, Bengaluru

Rhinoceros (French original title Rhinocéros) is a play by Eugène Ionesco, written in 1959. The play belongs to the school of drama known as the Theatre of the Absurd. The inhabitants of a town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness. The play is often read as a response to the sudden upsurge of Fascism during the events preceding World War II.The play explores the themes of conformity, culture, philosophy, and morality. Issues which are increasingly relevant in today's changing socio-political landscape.

Tickets are priced at Rs 100/- and are available at the following venues:

Name Tel

HIMALAYA HERBAL HEALTHCARE 266 900 95
225/Y, 100 Feet Ring Road
OPP: Eshwari Theatre IV Phase
VII Block, Banashankari 3rd Stage
Bangalore - 560 085

HIMALAYA HERBAL HEALTHCARE 23468928
No.300/1, 2nd Main, 17th cross ,
Sampige Road, Malleswaram
Bangalore-560003

HIMALAYA HERBAL HEALTHCARE 25255615
No. 395/B, C.M.H. Road
Indiranagar 2nd Stage
Bangalore 560 038

HIMALAYA HERBAL HEALTHCARE 41252288
Shop No. 101, Wheelers Road 41252299
Cox Town, Bangalore 560 005

HIMALAYA HERBAL HEALTHCARE 23580660
320, 3rd Stage,4th Block
Dr.Siddaiah Puranik Road
Basaveshwarnagar, Bangalore -560 079

HIMALAYA HERBAL HEALTHCARE 41211350
Shri Thulasi Plaza,# 1329/22,
41st Cross, 24th A Main, Jayanagar 9th Block
Bangalore 560 069

HIMALAYA HERBAL HEALTHCARE 41507801
180/181, Vinay Mansion
Gandhi Bazaar Main Road, Opp. Roti Ghar
Basavanagudi, Bangalore - 560 004

HIMALAYA HERBAL HEALTHCARE 25433000
# 52/2, Jayalakshmi Complex,
Kammanahalli Main Road,St. Thomas P.O
Kammanahalli, Bangalore -560 084

.HIMALAYA HERBAL HEALTHCARE 23514400
#14/4, ISRO Circle, New BEL Road
R.M.V. 2nd Stage, Bangalore -560 094

CROSSWORD 25582411
Residency Road

India Foundation for the Arts 23414681

Ranga Shankara 26592777

Support the Arts. Support IFA

Vindya Vausini
Public Relations India Foundation for the Arts
'Apurva' Ground Floor
No 259, 4th Cross
Raj Mahal Vilas IInd Stage
IInd Block
Bengaluru-560 094
vindya@indiaifa. org tel:
fax: 91-80-23414683
91-80-23414681

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Workshops & Other Events in Pune in December

---------- Forwarded message ----------
From: sheetal sanghvi <theurbanashram@gmail.com>
Subject: Workshops on Vedic Mathematics, Sufi Movements, Drum Circles at The Urban Ashram!

Dear all,
The season of giving is upon us..  The Urban Ashram invites you to explore the possibility of living a life of voluntary simplicity.. There is so much stuff that we have (eg. old sweaters and woolens) that we really don't need... Why not donate it or pay it forward to someone who could make use of it? We would be happy to keep a collection drive of your old useful stuff and then direct it non-profits that could share it with the needy! Let us spread the joy, lighten our homes and hearts, and ring in a merry X'mas!! Do let me know if anyone would like to be a part of this initiative!

Following is a list of workshops and free talks for the last two weeks of 2008:

1. Drum Circle with Varun Venkit

A drum circle is a musical situation where the participants thereof sit or stand in a circle with their respective drums and play together in a group. The underlying principle being fun, a drum circle acts a metaphor to address a range of issues; some of them being:

•    Unleashing the full potential of oneself
•    Physical and mental well being
•    Coordination improvement
•    Awareness and attention building

Varun Venkit is a Masters graduate in Clinical Psychology, Pune University and an experienced drummer currently playing the drums with the indo-rock outfit, Agnee. He has been associated with drumming and drum circles for over 6 years and counting.

Dates:20th and 26th December, Time: 7 pm to 9 pm
Fees: Rs 400 for a single session

2. Sufi Dance Movements with Jyoti Mate

This workshop involves rhythm, lyrics, music, bodily movements, mind and spirit!!! The session consists of many layers. As it progresses, we unfold the layers very gently. Our inhibitions begin to shed off. We have the grasp of our own potential. The whole experience is creative and exuberating!

Jyoti Mate is an expressive art therapist using color, drama, music and dance. A trained classical dancer, she brings her passion for dance and therapy together in these engaging workshops, which promise to be "fun"!

Date: 21st December, 10 am to 1 pm
Fees: Rs. 500 per person!

Seats fill up fast, so please confirm attendance to avoid disappointment!

3. Vedic Mathematics Workshops with Dr. Jyotsna Shah

Vedic Mathematics is called so because of its origin from Vedas. To be more specific, it has originated from "Atharva Vedas" the fourth Veda. "Atharva Veda" deals with the branches like Engineering, Mathematics, sculpture, Medicine, and all other sciences with which we are today aware of.
This wonderful method is re-introduced to the world by Swami Bharati Krisna Tirtha ji Mahaharaj, Shankaracharya of Goverdhan Peath. "Vedic Mathematics" was the name given by him.

Dr. Jyotsna Shah is a practising Ayurvedic doctor at The Urban Ashram with a passion to share her knowledge on this ancient skill set.

Dates: 26th to 30th December, 8 am to 10 am
Fees: Rs. 1000 per person!
Open to all with basic math skills, minimum age 11

4. Movie Night: Khuda Kay Liye
http://www.inthenameofgod.com/

Date: 21st Dec, 8 pm to 10 pm
Open to all! We will have an audience sharing of understanding each other's faiths and belief systems for people who are interested!
Fees: Zero, though donations from the heart towards The Urban Ashram are welcome!

5. Talk: Healing effects of Ayurveda on lifestyle diseases by Dr. Jyotsna Shah
Date: 20th Dec, 6 pm to 7 pm
Open to all!
Fees: Zero, though donations from the heart towards The Urban Ashram are welcome!

6. Talk: Benefits of Vedic Mathematics by Dr. Jyotsna Shah
Date: 21st Dec, 9am to 10 am
Open to all!
Fees: Zero, though donations from the heart towards The Urban Ashram are welcome!


7. Talk: The Secrets of Breath by Swami Shiva Shankar

Date: 24th Dec, 6 30 pm to 7 30 pm
Open to all!
Fees: Zero, though donations from the heart towards The Urban Ashram are welcome!

8. Silent Wednesday Nights
Dates: 24th and 31st Dec, 7 30 pm onwards
Open to all!
Fees: Zero, though donations from the heart towards The Urban Ashram are welcome!

Simply put, Wednesday evenings are about sharing. In the spirit of an ashram, we offer the space for everyone to walk their own walk. A random group of 20-40 folks convenes once a week; we meditate for an hour and follow it up with a roundtable sharing of "aha" moments from everyday life.


For any queries, or to register please call Murtaza at 98230 59096 or Sheetal at 99606 43579!

With peace, love, gratitude and warmth from The Urban Ashram!



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